'China Girl'

Width: 76.3 Height: 61 cms
oils-abstract-abstractions


The further that I push into Abstract Expressionism the more I perceive the importance of understanding how science and art are affiliated and how that pertains to my painting. I have always been as interested in Mathematics and Physics as I have in Art, I am beginning to understand the function of the groups together, how important they are to one another and how they influence my work. I am as interested in how the eye receives color as the color itself. Not in terms such as a “Color Wheel” represents but in the true color spectrum of light, how color is a reflection or deflection of the pure light spectrum. I am fascinated in why the eye moves around the canvas as a result of how color moves it. I continually see the geometric divisions developing on my canvases. I am aware of our visual field and the dimensions of color that I build into my work. This however is not a conscious effort that is made while I paint. I believe that it is the culmination of my understanding, converging upon the canvas. With scientific and artistic knowledge developing separately, it is only with the broad brush strokes which I associate with abstraction that I have begun this awareness in my paintings. I have always loaded my palette the same way, but that is where any similarity of my paintings ends. Often I don’t remember applying the color to canvas, it is as if this action is automatic. It is only the movement to and from the easel, several brushes standing in turpentine and the completed paintings that are the reminders of a nearly spontaneous reaction. I now realize that is how naturally creation should occur. I am painting from my imagination, as if my mind and brush are effortlessly connected.

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Medium: oils
Subject: abstractions
Style: abstract
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Subject: abstractions
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Subject: abstractions
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Subject: abstractions
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