'LLANGANATI 1'

Width: 190 Height: 140 cms
oils-academic-landscape


Facebook:@DMoscosoE David Moscoso E: Andean Nature as a Source of Artistic Creativity by Dr. Alicia Lubowski – Jhan Art Historian (Philadelphia Art Museum & Metropolitan Art Museum of New York) NY - 2010  The Ecuadorian painter and muralist David Moscoso is an artist responsive to an artistic heritage of Andean landscape. His combination of sublimity, spirituality, and natural history has been compared to the great North American landscape painter Frederic Edwin Church (1826-1900), who found in the Andes a sublime wilderness similar to that discovered by Albert Bierstadt (1830-1902), Thomas Moran (1837-1926), and others in the Sierra Nevada and Colorado Rockies of the American West. Beyond Moscoso's familiarity with landscapes by artist travelers and the academic tradition within Ecuador, he has also embraced a direct experience of natural landscape that pre-dates European contact. Moscoso has described the Andean inhabitant's communion with nature prior to the Spanish conquest as: "...concrete thought upon things and facts... living and feeling Water, Earth, Wind, Sun in the mind, blending in perfect harmony." Moscoso's vision of Andean nature as a harmonious unity also has roots in both European and Andean cosmologies evident, in particular, in the writings of the nineteenth-century German scientific traveler Alexander von Humboldt (1769-1859) and native Inca mythology. Moscoso's artwork connects an Ecuadorian cultural heritage, what he calls "Andean Memory," with a future forward thinking. This past and present engagement with Ecuadorian art and nature is evocative of the Andean Collection's own dialogue with an artistic legacy grounded in nature. Returning once again to nineteenth-century aesthetic philosophy, which so greatly informs Moscoso's work, Alexander von Humboldt argued that tropical vegetation and the Andean Mountains were landscapes of the greatest aesthetic pleasure because they display the greatest biodiversity and vitality. The scientist noted how within certain tropical regions there is a range of elevation and altitudes that further diversifies the landscape in a vertical ecology. The equatorial alpine landscape that ranges from snowcapped mountain peak to sea level presents a microcosm of global physcial geography (Physique générale): "...mountainous districts and elevated plains of Southern Mexico and the chain of the Andes at the Equator. Thus it is given to man in those regions to behold without quitting his native land all the forms of vegetation dispersed over the globe, and all the shining worlds which stud the heavenly vault from pole to pole." Across the dramatic range of altitudes and temperatures of the Andes, the entire global hemispheric climate from arctic pole to equator is encapsulated in a single region. The drastic elevation of the equatorial zone compresses the whole of the earth's ecology (tropical, polar, temperate, and so on) into a single vertical vantage point. Not only can we admire the artwork of David Moscoso and The Andean Collection as exemplars of Andean artistic creativity, but it is important to recognize that Andean nature itself has for centuries been celebrated as an exceptionally procreative natural realm. Indeed, the long-standing myth of the New World as both a Biblical Eden and an El Dorado, echoed in Alexander von Humboldt's formulation of equatorial America's rich and abundant vegetation, speak of this supremely abundant nature. This same vital and biodiverse ecological zone--likened historically to the entire Kingdom of Nature--continues to inspire David Moscoso and The Andean Collection today.  I hope that my dialogue with the pioneering landscape artist David Moscoso will shed light on both his remarkable creative talent and on that creativity, which is intrinsic to Andean nature itself. 

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LAGARTOCOCHA
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Size: Width: 190 Height: 140 cms
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